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Lilac and the Lady by Kristin Brin moves between figuration and abstraction with characteristic ease
or temple rooflines rendered in a style that is at once Western in format and unmistakably Japanese in subject and spirit
A red net chair rendered in Rosi Feist's minimal graphic style — the subject reduced to its essential structure
the pinks and corals of the flamingo finding their natural counterpart in the lush surrounding greens and reds
This canvas print is produced on cotton canvas with archival Japanese pigment inks
Enoshima in Sagami Province by Katsushika Hokusai Size:S - 29.7 x 42cm (A3) Lilac and the Lady byEnoshima in Sagami Province is part of Hokusai's celebrated series Thirty Six Views of Mount Fuji, created around 183032. The print captures the offshore island of Enoshima at the mouth of the Katase River, with Mount Fuji rising in the distance across Sagami Bay. Hokusai's flattened planes of colour and precise linework turn a coastal view into something both documentary and quietly monumental hallmarks of the ukiyo e tradition that would go on to