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Areas covered include the title sequence, the use of street scenes to open up the film (a technique he learned from Marcel Carns Les enfants du paradis), the role of alcohol as a Faustian symbol, the locations, the actors and bit-part players, the period photographs he drew on to research the films look, the colour timing, the alterations made to the source novel, the principal themes, and much more

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The delicate fabric catches the light beautifully, adding a subtle shimmer as you move

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