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Sun and Water
Marie-Anne Collot
he used a technique of layering white wax crayon with watercolour
Featuring:
Digital pigment print onto Hahnemuhle Photo Glossy 280gsm
Barbara Hepworth, Sea Forms, 1969 father Sun and WaterBarbara Hepworth saw printmaking as an opportunity to work on ideas that would eventually translate into sculpture. However, it would be too simplistic to view this as a one way relationship with the prints merely acting as surrogate sketches for future sculptures. In fact, in the case of Sea Forms, the original prints are embossed so that they literally enter the third dimension.
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