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Daibutsu sanmon depicts the towering sanmon gate of a great Buddhist temple
In Bright Air Nail 11
The warm golds and amber-greens of the mango sit against a pale ground
unblended strokes of ochre and green
ornamental linework typical of the Belle Époque poster style that made Mucha one of the era's most recognisable commercial artists
Metal Brushs nº2 by Alma Size:XL - 84.1 x 118.9cm (A0) Daibutsu sanmon depicts the toweringThe second in Alma's Metal Brushes series continues where No. 1 left off same formal logic, different gesture. The marks shift in weight or direction just enough to make this a distinct composition rather than a repetition, and the two works in dialogue reveal more than either does alone. Alma's approach to abstraction is rooted in restraint: they don't overload the frame, trusting that a single well placed mark carries more than a busy surface ever