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transforming the organic remnant into an everlasting technological fossil
This is why Canogar displays elements as if they were independent from each other
his humanity through the expression of his body by what's around him
and skulls that seem plucked from a surreal carnival
to the point where each begins to mirror the logic of the other
UNTITLED #92 Japanese culture transforming the organic remnant intoThis triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. Courtesy Cindy Sherman Hauser & Wirth Untitled #92 is one ofCindy Shermans most iconic photographs, part of her Centerfolds series from 1981. The idea was originally to publish these images in Artforum magazine, mimicking the horizontal fold out format of magazines like Playboy. But instead of showing seductive women, Sherman does the exact oppositeshe presents
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