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each one vibrating differently against its neighbour and against the dark
no atmospheric haze
yet Hasui's sensitivity to light and atmosphere gives it an immediacy that feels observed rather than constructed
The work reflects his theoretical preoccupation with the relationship between colour
Downtempo 1 by Dan Hobday settles into a quiet
Metallic Scent Part. 6 by HENRY HU Painting-Modern each one vibrating differently againstBy the sixth chapter of the Metallic Scent series, Henry Hu has refined his language of industrial contrast to a quieter, more meditative register. The metallic passages here are broader and more atmospheric, less confrontational than in earlier parts they spread across the composition like oxidised surfaces, their sheen subdued by the encroachment of warmer, more yielding forms. Hu allows the two impulses to coexist rather than clash outright,
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