Azymuth – Águia Não Come Mosca Psychedelic Rock translated as “the bellowing of

translated as “the bellowing of the bull

yet his influence has quietly loomed over electronic funk

A key figure in the evolution of jazz fusion

unfolding with a looser

With contributions from an all-star lineup - including Pat Kalla

Azymuth – Águia Não Come Mosca Psychedelic Rock translated as “the bellowing ofA golden era Brazilian jazz funk essential lush, soulful, and wild in all the right ways. Originally released in 1977, guia No Come Mosca finds Azymuth at the peak of their creative powers. Ivan "Mamo" Contis signature break heavy drumming locks in with Alex Malheiros deep, grooving bass and Jos Roberto Bertramis masterful Rhodes and synth work, creating a sound that is unmistakably Azymuth. The record glides through phases of mellow electric soul,