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again mostly near the top
numbered lower left from the edition of 100
Published by Studio Prints
signed Bryan Ingham in pencil
dated 1997 and numbered from the edition of 60 on the reverse (there were also 4 artist's proofs)
Eye and Camera: Red, Blue & Yellow victor-pasmore-points-of-contact-16 again mostly near the topOriginal screen print from the Kelpra Tate Gallery portfolio on wove paper, signed John Piper lower right, an artist's proof outside the limited edition of 150. Printed by Kelpra Studio with their blindstamp lower right and published by Kelpra Editions and the Tate Gallery. Referenced in Levinson, 317 We love this print and its departure from the usual John Piper subject matter. A super example of Piper's exploration into Pop Art and more experimental