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Several examples readily come to mind: Marin Marais' variations of 1681 for unaccompanied viola da gamba and Antonio Vivaldi's masterful setting of La Follia in 1705 which he scored for two violins and continuo
Lied vom Webstuhl
et tres tendre
IIme Rondeau (Gayment et Loure)
the distinction appears a step too far for those with no real interest in the region
Die Brittlein, sie muss uns lassen 2 Recorders + Accompaniment Several examples readily come to*Contemporary Composition for Recorder Quartet* which starts with a plainchant. Written for Britt Ascher and presented at the East Bay Recorder Society Annual Picnic in 2002. 1. Die Brittlein, sie muss uns lassen _Score 3 pp. Parts 1 pp._